Untitled, 2017
This series highlights the fluidity of women’s subjectivity and the absurdity of a strict adherence to social and historical constructs of gender (pink is for girls, boys don’t cry). I work with celebrated agents of change to challenge these rigid gender constructions through humor, using playful visual and written text. Moving forward, I’d like to explore the intersections of race, gender, and subjectivity.
Size: 3.5″ x 5″
National Art Education Association, New York, New York, 2017
This series highlights the fluidity of women’s subjectivity and the absurdity of a strict adherence to social and historical constructs of gender (pink is for girls, boys don’t cry). I work with celebrated agents of change to challenge these rigid gender constructions through humor, using playful visual and written text. Moving forward, I’d like to explore the intersections of race, gender, and subjectivity.
Size: 3.5″ x 5″
National Art Education Association, New York, New York, 2017